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"Butterfly" is painting is on masonite. The background of this mixed media work is collaged with pages from an insurance policy from the 1940's.
This painting was the subject of a competition in which people wrote short stories about the painting and the winning story won the preliminary watercolor of the image.
Here's the winning story:
"Butterfly" by D. Bellenghi
In the beginning, she was so different. I met Carlotta at a gallery opening my insurance company was co-sponsoring as a community project. I will always remember the first time I saw her....She stood alone, a mysterious aura surrounding her. She was as delicate as a rare exotic butterfly. She wore a silk dress in soft, muted colors. Her eyes were deep blue pools that I could not look away from. She was enchanting in a quiet, demure way. She was exquisite and I was captivated.
We married three months later. We settled happily into marital bliss, both of us very much in love, I thought. After several months there were small changes in Carlotta under the guise of her forgetfulness. There was not enough time in the day to complete any errands for me. Any business engagements she had previously agreed to attend with me became lapses of memory. At first, I took no notice. It was the sort of thing one dismisses. I loved her and my butterfly was all I saw.
Over time this pattern began to disturb me. When I sought any kind of information or answers, Carlotta became uncomfortable and we would argue. My questions to her seemed to be accusations. With unsure footing on my part and quick turns and maneuvers on hers, I was inevitably put on the defensive. As our relationship matured, I could see that my little butterfly had come out of her cocoon and found more than her wings. She could be moody and she became plagued with migraines. The migraines sent her to her bed, not to be disturbed. Over time, the veil fell from my eyes but not my heart.
There are periods of time that Carlotta is warm and loving and even flirtatious with me. She teases me, laughing full heartedly, her eyes bright and twinkling with mischief. I have tried so many times to keep this Carlotta with me. But she vanishes at will. Even now, Carlotta is my consuming passion. It has made me weak and her powerful; the grand puppeteer pulling the strings.
I sit behind her in her dressing room and watch and wait. I have been waiting over a hour as she readies herself for the evening. She takes her time. There is no need to rush. The world will wait as I do. I do not mind the waiting. I am watching beauty. Carlotta does not acknowledge that I am here. I see her eyes flick from her reflection in the mirror to me and then quickly back to her. She tries to conceal it but if one knows what to look for....there, the slightest cruel turn upwards of her lower lip. It is wisp of a smile that attests she is relishing her power and control. Even now, in this stinging moment of triumphant for her and pain for me, she is perfectly beautiful. It is all I can do to keep myself from taking her in my arms and kissing her until she succumbs to my love. She would detest me touching her that way. She would fly into one of her rages. She would leave me here and go to the party or not. She could be gone for days, doing whatever she pleased, with God knows who, just to put me back in my place.
When Carlotta is acting this way, she is like a spider, a spider that cares for no one. She belongs only to herself. She has allegiance to no one. She cares only if it pleases her. She is free but I am not. I am caught in her web, waiting. She keeps me arms length, just to taunt me. She pushes me to the edge of madness and then because she is bored has pity on me. She acknowledges my mere existence with an unexpected thoughtfulness. The tormented prey is saved for another day as I wait for the butterfly to return. Some say there is a thin line between love and hate. . .
Read them all here:
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Here's a little bit about me, Kenney Mencher, the artist.
Originally from New York, NY, Kenney Mencher earned a BA and MA in Art History from City University of New York and University of California, Davis, respectively, following which he went on to obtain a MFA in painting from the University of Cincinnati in Ohio. He has taught at a number of institutions including the University of Chicago and Texas A&M University, and now teaches at Ohlone College in Fremont, California.
I have an extensive national exhibition record that includes solo and group shows. My work has been featured in newspapers, as well as the "Artist Magazine." It has also been published as cover art for four paperback noir novels and on the cover of the Laredo Philharmonic playbill, Lullaby Hearse Magazine, and the Oregon Literary Review. I maintain strong relationships with a large group of collectors in several states. I am a professional and will live up to any and all commitments I make both socially and professionally.
To learn more about me please visit my website at:
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