Here's a four color (hand-mapped cmyk) serigraph adaptation of a woodcut (original block detail included in pictures) I completed recently to increase the readability of the woodcut's composition. I'm not sure how successful of an experiment this was, but I did develop an interesting method of creating relatively smooth gradients for serigraphy without using half-tone dots (which tend to react poorly with fine parallel lines).
~10.5x7" Signed, titled, and numbered edition of 20 on high quality archival paper (not sure what is is exactly - (Rives? Revere? It's nice regardless) A bit whiter and brighter than the AP seen above, but essentially the same print.
12 additional prints not in the edition of varying quality.
Any questions? Ask away: opoterser [!at] hotmail.com
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