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Holiday Greeting Cards Through the Decades

by Chappell Ellison

Dec 21, 2012

With every passing decade, this annual tradition reflects historical milestones and cultural trends in art and society.


Families and friends have been sending each other holiday greetings for hundreds of years, but Christmas cards weren't a popular tradition until the late 1800s. In her book, Christmas Cards, Michelle Higgs describes a period in the 18th century when children made Christmas Pieces for their parents — examples of the child's handwriting on a paper with decorative, engraved borders. However, it was the Valentine, already incredibly popular with Victorians, that laid the groundwork for the commercial success of its Christmas counterpart. "Many early Christmas cards were issued by Valentine publishers using similar designs and motifs, such as cupids and flowers," notes Higgs. "Consequently, they do not seem very seasonal to the modern eye."
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Christmas cards began showing up in mailboxes during the 1840s. Yet nothing paved the way for holiday greetings like the creation of the British postal system's Penny Post. This made sending a mass-mailing of Christmas cards to friends and relatives affordable, and by the end of the century, millions of Christmas cards were sold each year. The disposable nature of greeting cards didn't deter artists from creating intricate, beautiful designs that captured fine art trends and important cultural moments throughout the years.

1920s - 1930s


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Cards from the 1920s and 1930s were often handpainted and highly stylized, with the sharp, bold patterns common of the Art Deco era. They featured beautiful typefaces that graphic designers today strive to recreate digitally. When the Great Depression and Prohibition crashed down on the United States, Christmas cards reflected citizens' sense of fatigue. One card of the era reads, "Good wishes for a BETTER Christmas," alluding to the rocky social climate.

1940s


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Images of soldiers and austerity make cards from the 1940s particularly notable. World War II alleviated the Depression, but kept holiday greetings serious. Soldiers sent home stoic tidings, including images of themselves in fatigues. Famous cartoon characters, such as Mickey Mouse, also made appearances as welcome antidotes to the heavy wartime atmosphere.  

1950s - 1960s


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Happy, well-dressed housewives, rambunctious children and television sets dominate cards during the mid-century era, alluding to all the trappings of a post-war economy. Even Santa appears jollier and heavier.
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The image of the nuclear family didn't last long; the tension of the Vietnam War gave way to optimistic greeting cards featuring images of doves and peace signs. Colors and shapes during the 1960s bordered on psychedelic, while some cards even hinted at changing attitudes towards race relations during the Civil Rights Movement.

1970s


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The revival of handcrafts in the 1970s brought back a nostalgic longing for the home and hearth, coupled with a strong dose of kitsch. Medieval-inspired imagery and woodcuts are a favorite of this decade, along with doe-eyed cartoon characters with rosy cheeks.  

1980s - 1990s


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Blame it on Ziggy if you like, but in the 1980s, the licensed cartoon character became the bread-and-butter of the greeting card industry. Garfield, Snoopy, and Calvin & Hobbes all took their turns throughout the 1980s and '90s, as recognizable characters replaced any sort of handcrafted details and embellishments. With today's greeting card, anything goes. Holiday cards cover a range of subject matter that never would've made it into the cards of Christmas past, in addition to mining iconic seasonal imagery. They are often humorous, sometimes handmade and almost always heartfelt. In an era of email and text, the holiday card endures as a favorite way to share tidings and seasonal wishes with friends and family near and far. [etsy_slideshow]

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Chappell Ellison

Chappell Ellison is a designer, writer and design writer. She currently lives in Brooklyn, New York where she serves as a contributor for The Etsy Blog and design columnist for GOOD.