Profil de Marie-Michelle Melotte

A propos

Marie-Michelle Melotte was born and raised at the foot of the Canadian Rockies in Calgary, Alberta. She stopped believing in Santa at the age of ten and subsequently but not necessarily consequently, chose, in spite of common sense, to do a B.A. in Humanities, majoring in French lit with minors in Spanish and Drama. After having lived in Cyprus and France, published and unpublished satirical short stories in tow, freelancing as a translator and sporadically working in theatre, she sat down in front of a Singer almost twice her age and started sewing, thus fulfilling a lifelong ache for the joys of fabric manipulation. A dressmaker, embroideress and eco-conscious textile enthusiast, she signs her creations under the name Rastaquouère. She enjoys biting social satire, theatre, art in general and in particular, books, the absurd, prolepses, Simone, Audre, Ducharme, Perec, Queneau, independent film, Nina Simone, Tom Waits, Supergrass, the P…

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  • Femme
  • Inscrit(e) le 17 mai 2009

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Rastaquouere
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A propos

Marie-Michelle Melotte was born and raised at the foot of the Canadian Rockies in Calgary, Alberta. She stopped believing in Santa at the age of ten and subsequently but not necessarily consequently, chose, in spite of common sense, to do a B.A. in Humanities, majoring in French lit with minors in Spanish and Drama. After having lived in Cyprus and France, published and unpublished satirical short stories in tow, freelancing as a translator and sporadically working in theatre, she sat down in front of a Singer almost twice her age and started sewing, thus fulfilling a lifelong ache for the joys of fabric manipulation. A dressmaker, embroideress and eco-conscious textile enthusiast, she signs her creations under the name Rastaquouère. She enjoys biting social satire, theatre, art in general and in particular, books, the absurd, prolepses, Simone, Audre, Ducharme, Perec, Queneau, independent film, Nina Simone, Tom Waits, Supergrass, the Pink Floyd and other geezers of rock, headstrong women and status quo slayers, the molecular properties of cotton candy, her beloved banjo, dancing autumn leaves, the crunch of snow, endless prairie plains, ghost towns, seaside stone houses, cashmere sweaters, snapdragons, rhododendrons and peonies, vegetable gardens, the crumbling of puff pastry, the precarious stiffness verging on pendulous mess of whipped cream, old hats, sealed and handwritten letters, bourbon, pick me up cocktails and end of the day herbal remedies, comic opera subterfuge, stylistic exercises and enumerations…

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