ANDO? Tall 有線七宝 Yusen Shippo Silver Wire Cloisonne Vase 紅薔薇 Rose Blossom Vaas Akasuke Red 銀針 Ginbari Foil Jar Floral Jug Large Flower Urn

Stunning CLOISONNE ROSES RED VASE attributed to ANDO SHIPPO of Nagoya, Japan!

Art Nouveau is what comes to mind. The "silver wire" on the blossom's are done in bright yellow wire (gold?). The leaves, the wire, to me changes to perhaps silver? Some of the petals are pigeon's blood red and some transition to dusty rose and even scarlet and finally to eggshell white. The right rose has a spot of yellow of closed stamens.

The rest of the body is done in what I call "basket weave" pattern of ginbari embossed pigeon's blood foil. It's not actually "woven"...the eye accepts it as so, ha!

The vase is subdued elegance. It doesn't scream "look at me," it whispers "take a second glance!"

(pardon the photos, PIC 1 is a bit darker and PIC 2 a bit lighter than true life)

Condition & Specs are midway down this description >

PIC 4 - is a Signed ANDO piece also featuring a similar pattern but in a bulbous form >

https://www.etsy.com/mx/listing/504502442/ando-yu-xian-q-bo-yusen-shippo-silver

PIC 5 - SIMILAR PATTERN ROSE RED CLOISONNE VASE ANDO? >

https://www.etsy.com/mx/listing/517584452/ando-large-yu-xian-q-bo-yusen-shippo

PIC 6 - ANDO TALL CLEMATIS RED CLOISONNE VASE >

https://www.etsy.com/mx/listing/490290796/ando-large-yu-xian-q-bo-yusen-shippo

HANAKOTOBA 花言葉 - Ancient Japanese "Language of Flowers"
BENIBARA 紅薔薇 - Red Rose = Love/In Love
BARA 薔薇 - White Rose = Innocence/Silence/Devotion
MOMOIROBARA 桃色薔薇 = Trust/Happiness/Confidence

SHIPPOU YAKI 七宝焼 - Cloisonne Ware

TOMEIYU SHIPPO 透明釉七宝 - Transparent Enamel Cloisonne

YUSEN SHIPPO 有線七宝 - Wired Cloisonne Technique (usually silver)

GINBARI 銀針 - Embossed Foil

CLOISONNE enamels are painted on and fired and the process done for several layers/firings to build up the enamels to fill in the silver wire spaces of the design until the item is smooth to the touch.

Searching for that PERFECT VASE? Please visit my shop with 200+ Antique Vases from Old Delft, Faience, Chinois to Japonais Fukagawa/Koransha >

https://www.etsy.com/shop/GuamAntiquesNstuff?section_id=17084253

Would make a perfect gift for MOM'S BIRTHDAY or an excellent affordable addition to your own collection!

* FREE SHIPPING MOST COUNTRIES
* Guahan local PU only
- please click on the tab above below the pics for SHIPPING & POLICIES

PHOTOS - integral to description, please use zoom feature to view details.

ANDO CLOISONNE INC. 株式会社　安藤七宝店 FROM - Meiji 13 = 1880 to Present

MARK - Ando maker's mark stamped into silver base

SPECS - about 9.625"H x 5.125"D

CONDITION - EXCELLENT!
- no knocks or cracks
- minor scratches here and here on the clear glaze, barely perceptible

MY SUBJECTIVE GRADING GUIDE >

Outstanding - pristine, like new
Excellent - excellent as it's antique/vintage (minor issues)
Good - moderate issues
Fair - more than moderate issues, okay for display, but not a prized piece
Poor - major issues = a bargain deserving of continued existence

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🌺 HÅFA ADAI from the tropical island paradise of GUAHAN (Guam/USA) 🌺

"If" - ANDO CLOISONNE INC. 株式会社　安藤七宝店
FROM - Meiji 13 = 1880 to Present

"Owari province was one of the foremost production centres of enamel in the country. During the Edo period the Andō family operated a pipe shop called "Murata-ya". Andō Jubei (Jusaburo) (1876-1953) was born in Nagoya as the fourth child; he had three elder sisters. His mother passed away in May 1877 following an illness, and his father followed in September 1877. Orphaned at less than one year old, he was raised according to his father’s will by staff employers. His older sister married Andō Juzaemon, whose born name was Matsukichi. Together with his brother-in-law they made the cloisonné company a success. In 1893, Andō Juzaemon went to the World's Columbian Exposition in Chicago. It was his first time to travel overseas, and he used the opportunity to study the market. In 1901 Andō Jubei went to the Glasgow International Exhibition, which was his first overseas travel, and he stayed for two years in a British home to study the market.

After they returned back to Japan, they invited Kawade Shibatarō (1856–1921) as head of the studio, who further developed plique-à-jour. Cloisonné experienced strong growth around the time of the Paris Exposition Universelle in 1900. Japanese enamel work became sought after in the west and sourced many pieces from Toshima, which is the origin of Owari cloisonne.

As of 1918, at least fifty cloisonné artists worked there. The company was given an Imperial Warrant of Appointment to the Japanese court. Ando cloisonné was also presented as state gifts. Manchukuo Prime Minister Zheng Xiaoxu (1860-1938) wrote four Chinese characters in calligraphy in praise of a vase that was presented to him as a gift.
It is one of the very few traditional cloisonné companies still left in Japan. The main store in Sakae has a small museum with objects by the Ando company and also Namikawa. Objects from Ando are held in the collection of the Walters Art Museum and in the Victoria and Albert Museum."

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"Although Chinese cloisonné enamels had long been highly valued it was not until the late sixteenth century that cloisonné enamels became more widely used in Japan.

Enamelling was employed primarily on architectural fittings, for example hikite (door-pulls) and kugi-kakushi (decorative nail covers) as well as for the decoration of small objects such as suiteki (water-droppers), part of writing sets and used in the preparation of ink.

There had long been a demand among the samurai for fine decoration of sword fittings and cloisonné enamels were used on tsuba (sword guards). The finest of these were made by the Hirata School, founded by Hirata Dōnin (died 1646) which was active well into the nineteenth century.

The renaissance of Japanese cloisonné manufacture is credited to the former samurai, Kaji Tsunekichi (1803 - 1883) of Nagoya in Owari Province (modern Aichi Prefecture). Kaji, like many other samurai of his time, was forced to find ways to supplement his meagre official stipend. It is believed that around 1838 he obtained a piece of Chinese cloisonné enamel and by taking it apart and examining how it was made, he eventually produced a small cloisonné enamelled dish.

By the mid-1850s he was sufficiently confident take on pupils and by the late 1850s was appointed official cloisonné maker to the daimyō (feudal chief) of Owari. He based his designs on the motifs and colour-schemes of Chinese cloisonné enamels and his early works are characterised by the use of a larger number of background wires. These were decorative, forming an integral part of the design, and practical in that they prevented the enamels from running during firing."

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I'm not an expert on Porcelain. The information above is based on my research as a collector. It's time to downsize and find an appreciative home for this exquisite piece!

Feel free to contact me if you have questions or need additional photos.