Elmer S. Riggs Paleontologist Antique Photo
Ask a question$125.00
Overview
- Vintage item from the 1800s
- Height: 7 Inches
- Width: 5 Inches
- Materials: card stock, photo paper
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Description
Elmer S. Riggs (1869-1963) was born in Trafalgar, Indiana, and moved with his family to Kansas at a young age. He received bachelor's and master's degrees from the University of Kansas and then worked with the American Museum of Natural History. In May 1898 he joined the staff of the Field Museum (then the Field Columbian Museum) and became the museum’s first dedicated paleontologist . Though he was a specialist in fossil mammals, the Field Museum hired him in part to secure dinosaurs for exhibit. (https://en.wikipedia.org/wiki/Elmer_S._Riggs)
Card mounting is 7" tall x 5" wide with oval photo; good vintage condition with corner bumping to mount and edge wear to mount and photo. Photo shows slight foxing, soiling and wear. Small area of surface loss on back upper right. Watermark doesn't actually appear on photo.
Visit my shop for more great vintage and historic photographs, real photo postcards and tintypes!
www.phunctum.etsy.com
Elmer S. Riggs (1869-1963) was born in Trafalgar, Indiana, and moved with his family to Kansas at a young age. He received bachelor's and master's degrees from the University of Kansas and then worked with the American Museum of Natural History. In May 1898 he joined the staff of the Field Museum (then the Field Columbian Museum) and became the museum’s first dedicated paleontologist . Though he was a specialist in fossil mammals, the Field Museum hired him in part to secure dinosaurs for exhibit. (https://en.wikipedia.org/wiki/Elmer_S._Riggs)
Card mounting is 7" tall x 5" wide with oval photo; good vintage condition with corner bumping to mount and edge wear to mount and photo. Photo shows slight foxing, soiling and wear. Small area of surface loss on back upper right. Watermark doesn't actually appear on photo.
Visit my shop for more great vintage and historic photographs, real photo postcards and tintypes!
www.phunctum.etsy.com
Reviews
(359)-
bakabayashi Jan 26, 20195 out of 5 starsWhat a cutie. Thank you so much! I love everything! Perfect shopping experience.Bare Feet Vintage Photo White Eyelet Lace Dress Baby Toes Curly Hair Antique Photograph
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bakabayashi Jan 26, 20195 out of 5 starsI love this portrait. Thank you! Super quick shipping and packaged with great care.Pretty Boy Vintage Real Photo Postcard RPPC Prince Valient Haircut
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Unless otherwise specified, Phunctum generally ships via USPS once a week, usually on Fridays. All items are carefully packaged for safe shipping - I want things to arrive to you in the same condition in which they left me. Please let me know if you desire to purchase insurance. I do often use recycled packaging, but pack to hold up to heavy handling & inclement weather.
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Additional policies
Some thoughts about Post Mortem Photography:
Post mortem images are difficult for most of us to look at, and today are often seen as macabre. This is the reason for the warning photo I often insert as the first image in a listing. However, in the late 19th & early 20th century people were, if not less afraid of death than we are now, then at least more accustomed to it. In Victorian and early Edwardian times the infant mortality rate was high and life expectancy in general was far shorter than it is today. Photographs were expensive, and mostly reserved for special occasions. In many cases, no photograph of a loved one (especially a child) existed before they died, so having a portrait made after death was a way to hold onto a visual remembrance of them. Even a sad memory was better than no memory at all.
By the early 20th century mortality rates began to lessen. Many people could afford their own cameras and were able to photograph family members while alive. Having portraits of the living made post mortem portraits unnecessary, and they became less and less desirable.
And as for the collectors of post mortem photography, I like the description Ransom Riggs gives in his magazine, mental_floss: "The taboos of sex and death switched places in the last hundred years. The Victorians would’ve been shocked at the erotic images you find everywhere in the 21st century, but didn’t flinch when it came to making images of their dead loved ones. I’d like to think that the people who collect those photos are just as interested in this lost way of life — or rather, way of death; a set of rituals that now seem alien to us — as they are in the gruesome ghost babies themselves." (www.mentalfloss.com/blogs/archives/83929)
Today most large hospital neo-natal intensive care units will offer to take a picture of parents holding their deceased infant. Some professional photographers even donate their time to the Now I Lay Me Down to Sleep Foundation, which helps grieving parents through the loss of their stillborn or infant children by giving the gift of professional portraiture.
Some thoughts about Post Mortem Photography:
Post mortem images are difficult for most of us to look at, and today are often seen as macabre. This is the reason for the warning photo I often insert as the first image in a listing. However, in the late 19th & early 20th century people were, if not less afraid of death than we are now, then at least more accustomed to it. In Victorian and early Edwardian times the infant mortality rate was high and life expectancy in general was far shorter than it is today. Photographs were expensive, and mostly reserved for special occasions. In many cases, no photograph of a loved one (especially a child) existed before they died, so having a portrait made after death was a way to hold onto a visual remembrance of them. Even a sad memory was better than no memory at all.
By the early 20th century mortality rates began to lessen. Many people could afford their own cameras and were able to photograph family members while alive. Having portraits of the living made post mortem portraits unnecessary, and they became less and less desirable.
And as for the collectors of post mortem photography, I like the description Ransom Riggs gives in his magazine, mental_floss: "The taboos of sex and death switched places in the last hundred years. The Victorians would’ve been shocked at the erotic images you find everywhere in the 21st century, but didn’t flinch when it came to making images of their dead loved ones. I’d like to think that the people who collect those photos are just as interested in this lost way of life — or rather, way of death; a set of rituals that now seem alien to us — as they are in the gruesome ghost babies themselves." (www.mentalfloss.com/blogs/archives/83929)
Today most large hospital neo-natal intensive care units will offer to take a picture of parents holding their deceased infant. Some professional photographers even donate their time to the Now I Lay Me Down to Sleep Foundation, which helps grieving parents through the loss of their stillborn or infant children by giving the gift of professional portraiture.
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- Listed on Nov 9, 2018
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