InqLab

I'm M, and I write code that makes art.

Every design in this shop is generated by a program I wrote myself(not AI generated) — nothing is traced, painted over, or assembled from existing images. I describe a composition as a set of rules (how shapes sit, overlap, and find their colour) and let the code compose the final piece. Because a unique random seed drives each one, no two are ever the same — every piece is genuinely one-of-a-kind.

My influences are art movements, not individual artists: the geometric language of the Bauhaus, and peaceful japanese influences and the mid-century era, recombined by code into something new each time.

The colours aren't picked at random. They come from sources I love and trust: Sanzo Wada's 1933 colour dictionaries, nineteenth-century naturalists' nomenclatures, traditional dye traditions, and old decorative pattern books. I curate the combinations by hand, so even the most algorithmic piece feels considered.

What you receive is a high-resolution digital file, built at 300 DPI so it stays crisp whether you print it postcard-sized or poster-sized. Print it at home, send it to a local print shop, or use an online printing service — on good archival paper these hold up beautifully for years.