From my very first college class in ceramics I was hooked. The combination of creativity with science, food and community was exciting. Not only was the simple act of learning to make functional pots a challenge, but the mad science aspect of formulating new glazes from raw ingredients was captivating.

Each new kiln load was like opening presents on Christmas morning, always with new surprises. And since the effort of making clay, glazes, loading kilns and firing the work took so much labor, a community was formed, not just of classmates but of peers trying to perfect the art of functional pottery making.

The real test came when it was time to use the work. Did the pitcher or teapot pour properly without dribbling liquid? Did the handle of the cup fit ones hand properly? These tactile cues of interaction and the shared critique of each others work helped me to grow as a potter an artist and a person.

For over 30 years I have strived to make the very best pots I can. I exhibited some work in regional and national juried exhibitions, but what is most rewarding is the look of excitement on a customer's face when they find the pot that speaks to them and they share with me where it will live and how it will be used.

While I have worked in earthenware, my love is for stoneware and porcelain clays. And while I have a great passion for atmospheric firings using wood, salt and soda, I am currently exploring the complexities of glaze and flame in high fire reduction kilns. The reducing atmosphere of the kiln creates unique variations in each piece which is always surprising, sometimes in unexpectedly wonderful ways.

In addition to making, I have strived to share my love of clay with others. I have done so by teaching art in a variety of forums including at universities, community colleges and through private lessons. In addition to my studio work and teaching, I have also helped to foster the clay community through designing and building kilns for other potters and ceramic artists.

I also try to give back in other ways. I helped form a grass-roots ceramics organization called ClayHouston which serves to create a network of clay artists for education and support. I also participate in the Houston Food Bank's fundraisers by contributing over 100 soup bowls each year for the Empty Bowls Houston auction. The funds raised through these events help the food bank feed those most in need.

To learn more about the work and processes please visit my website at www.bayoucitypottery.com