Announcement Pottery for both home decor and everyday use, from cups and bowls to vases and Raku ware. My work is inspired by the natural world and whimsy, form and function, literature and history.
Pottery for both home decor and everyday use, from cups and bowls to vases and Raku ware. My work is inspired by the natural world and whimsy, form and function, literature and history.
womanofwagons on Jan 18, 2017
I've looked for years for ceramic Anglo-Saxon runes! These FEEL GOOD in the hand and are easy to read. They're beautiful. There's so much more information with these than the Norse ones. Thanks for making them!
nodsu on Oct 17, 2016
This is amazing. My new favorite piece in my home - it is just so perfect and I love it so! Thank you so much for this heirloom treasure!
doriangray on Oct 11, 2016
Beautiful vase, lovely colors, and quick delivery - thank you so much!
Hot Joint, Nice Atmosphere
I'd previously been a sculptor—bronze and steel—before a detour in the academy that included an academic track change to a double-major/double-minor B.A. and a M.A. in Medieval Studies. When the demands of raising a special-needs child necessitated a decision to forgo the planned Ph.D., I returned to my roots.
I've been working in clay ever since.
Here—at the intersection of curiosity, compulsive research, hard work, and a love of getting muddy—you'll find carved, textured, and manipulated surfaces that are designed to please your hands as well as your eyes and decoration techniques that explore the relationship between clay surface, kiln atmosphere, and the unique and fascinating properties of glazes.
My style is organic, form- and function-focused—my goal is to complement the medium, not hide it. My work encompasses stoneware and porcelain, wheel-thrown and hand-built, standard high-fire and atmospheric firing methods, including wood, salt, and Raku.
I am serious, I am whimsical, I like to play in the mud.
Whether you’re talking diners or ceramics, atmosphere is everything. In this case, it refers to the qualities of the air within the kiln (or, in the case of raku, the post-firing chamber)—fire, chemicals and particulate matter inherent in the firing type meet the qualities of the clay and glaze.
First documented in 14th century Germany, salt glazing is a method of atmospheric firing. It’s characterized by a glossy, orange-peel-like texture on unglazed surfaces formed by throwing salt into the kiln during the firing process.
Wood-fired pieces are characterized in appearance by the complex dance of flame, ash, and clay. The atmosphere varies based on location within the kiln, from the amount of ash deposit, oxidation v. reduction, and the path of the flame itself. (In my case, the type of kiln used is anagama, a style of wood-fired kiln originating in 5th century Japan.)
Raku also has its beginnings in Japan. Developed in the late 16th century, it's characterized by low firing temperatures and the removal of pieces from the kiln while still glowing hot. In the traditional Japanese firing process, the pot is removed from the hot kiln and put directly into water or allowed to cool in the open air, however Western raku differs in this aspect by utilizing a reduction chamber to compensate for the difference in atmosphere between traditional wood-fired raku kilns and gas-fired kilns. Pieces removed from the hot kiln are placed in masses of combustible material to provide a reduction atmosphere for the glaze and to stain the exposed body surface with carbon.
Another technique for staining the exposed body with carbon involves creating a smooth, burnished, surface using terra sigillata and applying horsehair (and other carbonaceous materials) to the ware immediately after removing it from the kiln. Combining the burnished surface with an atmospheric firing, the use of a saggar (in which salts, metal oxides and other noxious materials are placed with the ware) allows the saggar contents to fume the ware, creating a localized atmosphere.
n.b.: Because of the porous nature of the low-fired ware, raku pieces are for decorative purposes, only (ie. non-food-safe).
An artist who turned into an academic who has reverted back to an artist. Life is funny...
Accepted payment methods
- Accepts Etsy gift cards
- Money Order
- Other Method
International customers: Please use PayPal or Etsy Direct Checkout for your transactions.
Artisans: This shop is trade-friendly.
I can ship internationally, but shipping will need to be figured individually based on package destination, weight, and shipping method. The buyer is responsible for all customs fees, duties, and import charges that are levied at the time of delivery. Please allow 3-4 weeks for the delivery of your international package.
I will ship to the address provided by Etsy unless you provide alternate shipping instructions at time of purchase.
Refunds and Exchanges
All sales are final.