SPHERESCAPES
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Announcement
My photography deals with the 360° panoramic space compressed into a spherical form. The lack of constraint made possible by the spherical 360° allows for in-depth explorations of objects, structures, and textures and how they relate in both the natural and manmade world.
I use the camera to investigate and analyze the spaces where man and nature intersect. By photographing the world this way the camera is omnipresent, allowing for an epic narrative of complexity and intricacy of an area to unfold. Whether it be the disorder of ancient ruins in Rome, the pristine skyscrapers of New York City, the densely kaleidoscopic geography of the American Southwest, or the rugged coastlines of New England.
What I enjoy most about my process is how I make my photographs. I never use the viewfinder of the camera to compose the image. I take note of the proximity of objects and structures to the camera. I’ve developed a sense of “echolocation,” I can “feel” if an object or structure in space is too close or far away and move the camera accordingly. I endeavor to feel consumed by the area I’m in. To make one 360° spherical panoramic photograph, I require at least 30 individual images. Atop my tripod is a high-resolution digital camera attached to a special mount. It ensures that each image is precisely aligned with the others surrounding it and that each image overlaps by the same amount. This is essential for the next step in the process. Because all the images are precisely aligned and they all overlap by the same amount, I am assured that the final composite image will be free of errors and will blend seamlessly. I use specialized software to organize and process my raw files and specialized software to assemble them into a finished image. Adobe Photoshop rounds out the process by allowing me to precisely adjust contrast, color, and tone. Recently I have incorporated a drone with a high-resolution camera to make aerial 360° Panoramas. To learn more about and view more of my work, please visit my website. www.murraymichaeljames.com. You can also follow me on instagram @murraymichaeljames or #spherescapes
Announcement
My photography deals with the 360° panoramic space compressed into a spherical form. The lack of constraint made possible by the spherical 360° allows for in-depth explorations of objects, structures, and textures and how they relate in both the natural and manmade world.
I use the camera to investigate and analyze the spaces where man and nature intersect. By photographing the world this way the camera is omnipresent, allowing for an epic narrative of complexity and intricacy of an area to unfold. Whether it be the disorder of ancient ruins in Rome, the pristine skyscrapers of New York City, the densely kaleidoscopic geography of the American Southwest, or the rugged coastlines of New England.
What I enjoy most about my process is how I make my photographs. I never use the viewfinder of the camera to compose the image. I take note of the proximity of objects and structures to the camera. I’ve developed a sense of “echolocation,” I can “feel” if an object or structure in space is too close or far away and move the camera accordingly. I endeavor to feel consumed by the area I’m in. To make one 360° spherical panoramic photograph, I require at least 30 individual images. Atop my tripod is a high-resolution digital camera attached to a special mount. It ensures that each image is precisely aligned with the others surrounding it and that each image overlaps by the same amount. This is essential for the next step in the process. Because all the images are precisely aligned and they all overlap by the same amount, I am assured that the final composite image will be free of errors and will blend seamlessly. I use specialized software to organize and process my raw files and specialized software to assemble them into a finished image. Adobe Photoshop rounds out the process by allowing me to precisely adjust contrast, color, and tone. Recently I have incorporated a drone with a high-resolution camera to make aerial 360° Panoramas. To learn more about and view more of my work, please visit my website. www.murraymichaeljames.com. You can also follow me on instagram @murraymichaeljames or #spherescapes
Items
Reviews
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Leah on Dec 21, 2020
5 out of 5 starsLove this unique photo, bought this as a gift and will be buying one for ourselves also!
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bethdavidson33 on Nov 22, 2020
5 out of 5 starsFantastic size of this great art print, and shipping was very fast.
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Sharon on Jul 30, 2020
5 out of 5 starsHighly recommend. This was a gift for my mother and she is astounded by the beauty and quality.
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Ryan on Jan 6, 2019
5 out of 5 starsVery cool. Great conversation piece. He was very accommodating as well. Thanks!
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Shop policies
Shipping
Payment options
Returns & exchanges
I gladly accept exchanges
I don't accept returns or cancellations
The following items can't be returned or exchanged
- Custom or personalized orders
- Perishable products (like food or flowers)
- Digital downloads
- Intimate items (for health/hygiene reasons)
- Items on sale
I accept returns I do not accept returns
I accept exchanges I do not accept exchanges
I accept cancellations I do not accept cancellations
Because of the nature of these items, unless they arrive damaged or defective, I can't accept returns for: