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Large abstract screenprint by Emma Lawrenson. Modern, minimal, original art

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Description

A handmade, original screenprint on finest quality Fabriano Rosapina 100% cotton paper (285gsm)
(lovely and thick off white Italian printmaking paper with a slight texture. Deckles to some edges)
numbered, signed, titled and dated in pencil at the bottom . Edition of 15 only . Sold Unframed

'Dry Stone'
Paper size: 68 x 45cm
Image size: 45 x 26cm

This is a very recent piece of work, it has a textured appearance in parts of the print. The inks have a lovely chalky quality and work extremely well on the Fabriano paper which is lovely and thick with a slight texture.

All my prints are created entirely by hand, from the initial drawings, mixing of the inks, to the actual pulling of the ink across the silk screen onto finest quality paper. Every edition is very small, so you are buying something unique and of the highest quality, lasting a lifetime. This is different to 'Limited edition giclee' prints which are reproductions (inkjet prints from a computer) and not originals.

This is a twelve colour screenprint, which means lots of hard work! It is my most recent piece of work, and I am really pleased with it! It looks much nicer in the flesh.

To find out more and view other work visit . http://www.emmalawrenson.com/

I have been photographing and sketching sheep pens, dry stone walls, gates etc in fields nearby and this is one of a series of prints I will be making.
This print has a textured appearance rather than a solid hard edge, see close up for detail. I wanted to create a printed 'drawing'.

Sent carefully rolled in tissue and bubble wrap shipped in a wide sturdy tube for safe delivery.
A handmade, original screenprint on finest quality Fabriano Rosapina 100% cotton paper (285gsm)
(lovely and thick off white Italian printmaking paper with a slight texture. Deckles to some edges)
numbered, signed, titled and dated in pencil at the bottom . Edition of 15 only . Sold Unframed

'Dry Stone'
Paper size: 68 x 45cm
Image size: 45 x 26cm

This is a very recent piece of work, it has a textured appearance in parts of the print. The inks have a lovely chalky quality and work extremely well on the Fabriano paper which is lovely and thick with a slight texture.

All my prints are created entirely by hand, from the initial drawings, mixing of the inks, to the actual pulling of the ink across the silk screen onto finest quality paper. Every edition is very small, so you are buying something unique and of the highest quality, lasting a lifetime. This is different to 'Limited edition giclee' prints which are reproductions (inkjet prints from a computer) and not originals.

This is a twelve colour screenprint, which means lots of hard work! It is my most recent piece of work, and I am really pleased with it! It looks much nicer in the flesh.

To find out more and view other work visit . http://www.emmalawrenson.com/

I have been photographing and sketching sheep pens, dry stone walls, gates etc in fields nearby and this is one of a series of prints I will be making.
This print has a textured appearance rather than a solid hard edge, see close up for detail. I wanted to create a printed 'drawing'.

Sent carefully rolled in tissue and bubble wrap shipped in a wide sturdy tube for safe delivery.

Payments

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Returns & exchanges

RETURNS
I hope that you will be happy with your purchase. Due to the delicate nature of my work I cannot accept returns on rolled artwork.
If you would like to return smaller flat prints for any reason, please contact me first so I can help advise you for the safest return without damage, and explain customs charges.
To help you make your choices when buying work I try to photograph my work as accurately as possible. However, if you would like further photographs taking to help you decide on a selection of prints, or an extra close up shot, please just send me a message.

DAMAGE & REFUNDS
If a parcel arrives damaged and damage has occured to the work inside please let me know immediately upon receipt. I will advise accordingly.
Please note: I cannot be held responsible for work damaged once opened and under the customers care.

LOST PARCELS
Royal Mail is a reliable service and hopefully orders won't go astray, (so far only three in four years.)
Please be aware that parcels are coming from the UK so please be patient! For international customers, please contact me after four weeks if your parcel hasn't arrived, sometimes parcels can get held up at customs.

Many Thanks
Emma
RETURNS
I hope that you will be happy with your purchase. Due to the delicate nature of my work I cannot accept returns on rolled artwork.
If you would like to return smaller flat prints for any reason, please contact me first so I can help advise you for the safest return without damage, and explain customs charges.
To help you make your choices when buying work I try to photograph my work as accurately as possible. However, if you would like further photographs taking to help you decide on a selection of prints, or an extra close up shot, please just send me a message.

DAMAGE & REFUNDS
If a parcel arrives damaged and damage has occured to the work inside please let me know immediately upon receipt. I will advise accordingly.
Please note: I cannot be held responsible for work damaged once opened and under the customers care.

LOST PARCELS
Royal Mail is a reliable service and hopefully orders won't go astray, (so far only three in four years.)
Please be aware that parcels are coming from the UK so please be patient! For international customers, please contact me after four weeks if your parcel hasn't arrived, sometimes parcels can get held up at customs.

Many Thanks
Emma

Shipping policies

UK & INTERNATIONAL
To keep costs down for customers, deliveries are sent by standard mail / airmail , this is non trackable and carries no insurance but is far more cost effective and has always been very reliable. I can arrange a tracked, insured option and will confirm the shipping charge if you contact me to request this. For any large or expensive order I would recommend you pay for this option.

UK
Parcels are sent out through Royal Mail first class.
Usual delivery times are 1 - 2 days for the UK. Orders are sent out within 24 - 48 hours, I will always contact you to let you know your order has been dispatched.

INTERNATIONAL
International orders are sent out via standard airmail. Orders are sent out within 24 - 48 hours, I will always contact you to let you know your order has been dispatched.
Deliveries usually take between 1 - 3 weeks.

Any customs tax due on items sent internationally are to be paid by the customer.

GENERAL COMMENTS
Large prints are sent carefully rolled in tissue paper and bubble wrap before being slotted in a wide sturdy tube. Framers are quite happy to work with rolled items, but be careful as fine art prints are on papers that need extra special care when handling. Try to hold corner to corner to avoid kinking.
I wouldn't recommend leaving rolled artwork in the tube for weeks after purchase, this makes it harder to un-roll.
Smaller prints wrapped with cellophane and backed onto card. They are sent carefully packaged between seven layers of sturdy corrugated cardboard.

All delivery times are approximate.
UK & INTERNATIONAL
To keep costs down for customers, deliveries are sent by standard mail / airmail , this is non trackable and carries no insurance but is far more cost effective and has always been very reliable. I can arrange a tracked, insured option and will confirm the shipping charge if you contact me to request this. For any large or expensive order I would recommend you pay for this option.

UK
Parcels are sent out through Royal Mail first class.
Usual delivery times are 1 - 2 days for the UK. Orders are sent out within 24 - 48 hours, I will always contact you to let you know your order has been dispatched.

INTERNATIONAL
International orders are sent out via standard airmail. Orders are sent out within 24 - 48 hours, I will always contact you to let you know your order has been dispatched.
Deliveries usually take between 1 - 3 weeks.

Any customs tax due on items sent internationally are to be paid by the customer.

GENERAL COMMENTS
Large prints are sent carefully rolled in tissue paper and bubble wrap before being slotted in a wide sturdy tube. Framers are quite happy to work with rolled items, but be careful as fine art prints are on papers that need extra special care when handling. Try to hold corner to corner to avoid kinking.
I wouldn't recommend leaving rolled artwork in the tube for weeks after purchase, this makes it harder to un-roll.
Smaller prints wrapped with cellophane and backed onto card. They are sent carefully packaged between seven layers of sturdy corrugated cardboard.

All delivery times are approximate.

Additional policies

FAQ's
FRAMES
The frames in my pictures are ‘box frames’. The method is to keep the print away from the glass so it doesn't touch it, a conservation technique. Basically it does the same as mount/matt board, by keeping the paper away from being right up against the glass.

The frame itself has a fillet of wood (usually painted) inserted around the edge of the frame between the glass and the back of the frame, and it creates a 'box'. I use a painted fillet of wood the same colour as the mount board behind the print, see the photographs. (Sometimes I have asked the framer to use foamboard if I want a smaller depth.)

The print is attached to mount board, using conservation tape to stop yellowing over time.

I would get some quotes from a couple of framers as the price can vary quite substantially.
I leave a boarder around the print of 30mm, about an inch, but this is personal choice.

The moulding I use is solid ash (nice and light in colour and doesn't have huge variations in knots etc) the size is 15mm x 30mm. 30mm is the depth of the wood. White/grey painted wood also looks good.

SHOP BOUGHT FRAMES
Try Ikea or habitat online for the biggest selection of sizes. I would buy bigger to allow for some space around the paper.

EXPRESS SHIPPING
If anyone needs express shipping on an order or would like insured shipping, please e-mail me for prices.

WHOLESALE
I'm sorry but I don't do wholesale.
FAQ's
FRAMES
The frames in my pictures are ‘box frames’. The method is to keep the print away from the glass so it doesn't touch it, a conservation technique. Basically it does the same as mount/matt board, by keeping the paper away from being right up against the glass.

The frame itself has a fillet of wood (usually painted) inserted around the edge of the frame between the glass and the back of the frame, and it creates a 'box'. I use a painted fillet of wood the same colour as the mount board behind the print, see the photographs. (Sometimes I have asked the framer to use foamboard if I want a smaller depth.)

The print is attached to mount board, using conservation tape to stop yellowing over time.

I would get some quotes from a couple of framers as the price can vary quite substantially.
I leave a boarder around the print of 30mm, about an inch, but this is personal choice.

The moulding I use is solid ash (nice and light in colour and doesn't have huge variations in knots etc) the size is 15mm x 30mm. 30mm is the depth of the wood. White/grey painted wood also looks good.

SHOP BOUGHT FRAMES
Try Ikea or habitat online for the biggest selection of sizes. I would buy bigger to allow for some space around the paper.

EXPRESS SHIPPING
If anyone needs express shipping on an order or would like insured shipping, please e-mail me for prices.

WHOLESALE
I'm sorry but I don't do wholesale.

Large abstract screenprint by Emma Lawrenson. Modern, minimal, original art

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£265.00
VAT included (where applicable), plus shipping
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Overview

  • Handmade item
  • Materials: Fabriano Rosaspina paper, water based inks
  • Feedback: 357 reviews
  • Favourited by: 265 people
  • Gift message available

Shipping & returns

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From United Kingdom
£6.30 shipping to United Kingdom

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