Little raku pony white with black mane and tail. The Raku firing makes each piece unique and I am never sure exactly how they are going to come out.
I build each pony by hand with a white clay, which is quite gritty to survive the thermal shocks of the raku firing processes.
I biscuit fire my work first in an electric kiln, then glaze the piece with a transparent glaze for the white parts. I then fire them in the raku kiln till about 1000C, before opening the kiln, the ponies are then put in a steel box with saw dust. Since the box is fairly air tight, the combustion of the saw dust draws oxygen from the clay and produces the black colour in the cracks in the glaze, and on their tail and mane, which is characteristic of Raku.
The Raku firing makes each piece unique and I am never sure exactly how they are going to come out.