HUGE! Royal Delft 1950 Charger Large Old Delfts Blauw Schotel ''Elisabeth Bas'' after Rembrandt Plate Dish Wall Art de Porceleyne Fles

HUGE DELFTS BLAUW CHARGER of "ELISABETH JACOBSDR. BAS" Hand Painted by DE PORCELEYNE FLES Delft, Netherlands!

🌴Please click "LEARN MORE ABOUT THIS ITEM” for full description/size/condition🏺

The charger depicts an oil on canvas painting by Ferdinand Bol (1571-1649)

Please consider that this "reproduction" is a work of art in itself hand painted by a Fles Master Painter. Delft Chargers were at their inception, an alternative to the even more costly oil paintings and even then, only the wealthiest could afford.

While any large charger by Fles is an investment in the appreciation of art, the larger the piece, the more valued it is. In this case, there's an argument that because it's not only a portraiture, but the skill required to paint "lace" onto a bisque piece only increases its value!

"Portrait of an Old Lady, Possibly Elisabeth Bas, Ferdinand Bol (attributed to), c. 1640 - c. 1645
oil on canvas, h 118cm × w 91.5cm"

"Rembrandt’s studio in Amsterdam quickly became a hive of activity, with many pupils eager to work in his style. This portrait was long held to be an autograph painting by Rembrandt himself. The sitter may be Elisabeth Bas, the widow of a wealthy tavern owner."

"Portrait of Elisabeth Jacobsdr Bas (1571-1649), the widow of Jochem Hendricksz Swartenhont. Knee-piece sitting in an armchair with a handkerchief in hand. On the left a table with a book .; attributed to Ferdinand Bol (1616–1680), oil on canvas, c.1640–1645" Currently at the Rijksmuseum. 46x36"

Signed "naar Rembrandt" at about 3 o'clock just inside the border, "naar" = "after."

I just love these portraitures with depicted Lace Collars!

SPECS/CONDITION REPORT > please scroll further down >

VIEW SHOP POLICIES > below every description is the link "View Shop Policies" for the fine print of shipping, no returns, taxes, etc.

OTHER PHOTOS > related items that might be of interest >

PIC 4 - 1966 ROYAL DELFT "JACOBA VAN CAESTRE" LARGE PORTRAITURE CHARGER >

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PIC 5 - 1893 ROYAL DELFT "AECHJE CLAESDR" LARGE PORTRAITURE CHARGER >

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PIC 6 - 1962 ROYAL DELFT "MAN WITH GOLD HELMET" LARGE PORTRAITURE CHARGER >

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PIC 7 - 1940 ROYAL DELFT "MAN WITH LACE COLLAR" >

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PIC 8 - 1962 ROYAL DELFT LARGE CHARGER "OLD SOLDIER" >

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PIC 10 - 1909 ROYAL DELFT HUGE DELFT BLUE PORTRAITURE CHARGER OF HISTORICAL NOTE >

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Searching for that perfect Plate/Charger? Please see my selection of over 200+ pieces of Delft, Faience, Chinois & Japonais Chargers >

https://www.etsy.com/shop/GuamAntiquesNstuff?order=price_desc§ion_id=17085618

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PHOTOS - integral to description, please use zoom feature for detailed views.

STAND NOT INCLUDED - sorry, photo prop

MARK - in underglaze blue
- center underglaze marked with appropriate standard mark with a jug/stylized JT and Delft.
- inside of the footring in between the two holes for the wire, is incised V3 and perhaps a backwards N
- WTH. = painter's initials > attributed to > Hacken W.M.G. ten ♂ active 1939-1984
- note (normally, a junior painter would paint the lip border and the master painter paints the portraiture)
- 157 = internal control code
- date code is BU = 1950

SPECS- about 16.125"D x 2.25"H

CONDITION - EXCELLENT!
- no hairlines, cracks, chips or flakes
- fine unstained crazing both front and rear, expected of Fles items with any age
- minute scratches here and there to the clear glaze
- footring as a few black rub marks here and there, nothing distracting
- there is a soft wire existing for immediate hanging on a wall

MY SUBJECTIVE GRADING GUIDE >

Outstanding - pristine, like new
Excellent - excellent as it's antique/vintage (minor issues)
Good - moderate issues
Fair - more than moderate issues, okay for display, but not a prized piece
Poor - major issues = a bargain deserving of continued existence

🌴 🌴 🌴WHERE AMERICA'S DAY BEGINS!🌴 🌴 🌴

🌺HÅFA ADAI from ISLA GUAHAN (Guam/USA)🌺

https://en.wikipedia.org/wiki/Portrait_of_Elisabeth_Bas

Portrait of Elisabeth Bas is a portrait by Ferdinand Bol of the Dutch businesswoman Elisabeth Bas, commissioned by her grand-daughter Maria Rey. It is now in the Rijksmuseum Amsterdam, where it is known as Elisabeth Bas and attributed to Ferdinand Bol (1616 - 1680), though the identity of the sitter is held to be in doubt by the Rijksmuseum. Until 1911 it was thought to be by Rembrandt, but that year the Rembrandt expert Abraham Bredius re-attributed it to Bol. Such a re-attribution was hotly contested by the collector and art historian Cornelis Hofstede de Groot (1836-1930), but is now accepted. A brand of cigars was named after this painting in the 20th century, produced at a factory at Boxtel and using the painting as a logo, and their bands and the boxes for cigars of this brand are still collectors' items.

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De Porceleyne Fles has been in continuous existence since 1653 and is considered crème de la crème of Delft production. One reason for their continued success is their wares are hand painted. Joost Thooft and partner Labouchere bought the firm in 1876. (this plaque is incised with their names in a circular mark as opposed to the printed "modern" mark of a stylized JT and vase/jug) Fles pieces are sought after collectibles and the larger the item, the more detailed, the more expensive! Modern production of large pieces and tile tableaus are priced in the thousands of dollars! The only Dutch Masters themed charger currently in production goes for over 2,000 Euros on their online store!

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Delft Chargers were highly sought after display pieces as an alternative to framed oil paintings. Royalty, nobility, wealthy merchants and even rich farmers acquired these examples of hand painted art! Many of the depicted themes were actually copies of popular (now famous) original oil paintings of the Dutch artists and masters. The other themes primarily were Chinois patterns copied from the Ming imports. When rich farmers held a large celebration, they would clear out the barn and then hang Delft Chargers either on the horse stalls or the walls of the barn as part of the party decor for the rustic party venue!

“Old Delft” were expensive and mostly used to display their owner's status and wealth by displaying in their formal dining rooms and other public rooms of their estates. These Delft pieces were exported all over the Western world including the New World as found in Williamsburg and other colonial towns in both North and South America. Delft manufacturers were threatened by Chinese imports, but when China went through their times of troubles and the kilns destroyed and potters killed, the Delft makers capitalized on the sudden rarity of Chinese exports and imitated Ming and Wanli/Kraak patterns to supply the continually growing demand. Eventually Delft potters began using their own patterns and incorporating what has become “iconic” themes of Dutch Windmills, Canals, Nautical and Biblical renditions. When the Chinese Imperial government stabilized, kilns were rebuilt, but found they had lost most of their market share. To regain that share, they began copying the Dutch designs. The humor in all this, is that many of the Dutch designs were copies of Chinese patterns! With all these cross-copying of patterns, meaning was lost and “fanciful” unreal patterns resulted!

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July 4th Independence Day > USA
July 21st Liberation Day WWII > GUAM/USA
Sep 14th Liberation Day WWII > MAASTRICHT, NL

Just wanted to take the opportunity to share this regarding WWII and the people of Holland in regards to the people of the US >

Near Maastricht, in Margraten, is the Netherlands American Cemetery. It is the only American military cemetery in Holland and where 8,301 of our soldiers rest eternal. There are Tablets of the Missing that contain 1,722 names. It's a beautiful and fitting resting place. I mention this because, we visited in 2010 and it was early May just after Koninginnedag (Queen's Birthday) as we were meeting a Dutch aunt who's married to a German citizen and they live in Germany and Maastricht is the halfway point from where we were staying. We were surprised and amazed at the thousands of visitors and the fresh flowers on EVERY GRAVE! It turns out, that ever since the cemetery was first created, every US Soldier's grave had been adopted by a nearby local family (also Belgian and German families across the border) and is visited several times a year and flowers laid and the soldier honored and remembered on certain holidays! It brought us to tears that after all this time, that the Dutch continue to honor and remember our soldier's ultimate sacrifice in helping to liberate their country! Thank you to the anonymous Dutch, Belgian, and German families who remember and honor our fallen!

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I'm not an expert on Porcelain. The information above is based on my research as a collector. It's time to downsize and find an appreciative home for this exquisite piece!

Feel free to contact me if you have questions or need additional photos.

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Wall Art