For over forty years we have practiced the craft of art on projects and commissions; today our technique is questioning its dissolution.
For over forty years, we have practiced the craft of the arts through projects and commissions; today, our technique questions its own dissolution.
For years, our work as artists has revolved around the daily study of painting techniques, anatomical drawing, and architectural design. We have been the hub of technique in interior design, portraiture, sculpture, and theater set design.
Today, we are experiencing great changes in art: new suggestions in the lived and perceived world, new representational techniques that redraw the creative horizon. The artistic experience, not directly experienced but filtered, begins and ends with a convulsive click that paradoxically renders it faded.
The constant flow of techno-images satisfies us with their accessibility, quality, and availability. In this vast sea, on the one hand, our historical memory risks being wrecked, leaving us deeply stunned and resistant to the allure of great and real beauty; on the other, new and modern expressive possibilities arise, and our technology questions its own dissolution.
Our research has led us to reclaim the physicality of these impalpable images, bringing them back to a world of conscious vulnerability, where technical gesture and material become the primordial cell of the work and, at the same time, its mortal remains. Retracing their contours, we will restore body and living matter to the original work, and as the support dries, embodying new life, we will always question its inevitable decay.
For years, our work as Italian artists has been rooted in the daily study of painting techniques and anatomical and architectural drawing.
Today, the art world is undergoing profound change: artistic experience, no longer directly lived but mediated, begins and ends with a single click, paradoxically rendering it faded.
Our research seeks to reclaim physicality within a vast field of intangible images, returning them to a condition of conscious vulnerability, where technical gesture and matter become both the primordial cell of the work and its mortal shell.
Per oltre quarant’anni, Palma Fine Art è stato il mestiere delle arti su progetti e committenze. Oggi, in un tempo in cui siamo inondati da immagini d’arte, seppur di qualità, la nostra tecnica si interroga sul suo dissolvimento.
La nostra ricerca ci ha condotto a rivendicare la fisicità nel mare magnum di immagini impalpabili, riportandole in un mondo di consapevole vulnerabilità, laddove gesto tecnico e materia diventano cellula primordiale dell’opera e, insieme, spoglia mortale.