Hi, I'm Sean, I take pictures and print them out.
Big blocks of vibrant colour giving way to chaotic rainbows. Smooth ripples that turn to smears and jagged spikes. Art that is visually elemental. Art that doesn’t tell you what you are looking at. Art that speaks in silent shouts and susurrations, so your subconscious can whisper to you its own story.
VIBRANT COLOURS
Bright reds, brilliantly blending with yellows, blues, greens, indigoes, captivating the senses. I see the natural world this way, and my paintings reflect that vision.
RICH TEXTURES
Spikes, waves, splashes, blotches, ridges, smooth surfaces, ripples, raspy points, and everything in between. It’s paint, and it loves to be touched— with careful, clean hands.
BARE HANDS TECHNIQUE
I blend and apply paint with my bare hands. All of the textures are created with different kinds of touch and movement, from brushes of fingertips to aggressive slaps and smacks that often result in multicolour splashes of paint flying across the room. My studio even has spatter shields!
I’m a tactile person, I prefer to touch things when I can. Why should art be any different? I paint them with my hands, and you can appreciate them with your hands, too.
In my gallery, no one yells at you if you touch the art.
PANELS AND CANVAS
Smaller paintings are made on hardboard panels, sometimes covered in canvas. Larger works are made on unframed thin plywood panels or stretched canvas. These are lightweight, durable and inexpensive materials that allow me to keep the cost of making art down.
You can frame bare panels and canvas after purchase at your own cost, should you wish a different look to compliment your style/decor.
Transparent paintings are made directly on acrylic sheets, and should be illuminated from behind, as a room divider, or hung in a window as “stained glass.”