Tom Purvis "The London Magazine: August 1928" - Giclée Fine Art Print

- Giclée fine art reproduction print
- Available in a variety of award-winning museum & gallery-grade paper types
- Printed with the finest archival pigment inks to ensure the best colour quality with superior light and water resistance
- Ready to mount in a vintage or modern frame*
- Eco-friendly and recyclable packing materials
- Carefully packaged and shipped in protective tubes or board envelopes to ensure safe delivery
- All prints handmade to order with printing and dispatch within 5 working days (delivery times will vary depending on service and destination)
- Free UK Standard Delivery on all prints
- Tracked global shipping service, where available

* Please Note: Any frames shown in the listing photographs are for display purposes and are not included

PAPER DIMENSIONS

This print is available in the following paper sizes:

[A4] 210mm x 297mm / 8.3" × 11.7"
[A3] 297mm x 420mm / 11.7" x 16.5"
[A3+] 329mm x 483mm / 13" x 19"
[A2] 420mm x 594mm / 16.5" x 23.4"

PAPER & FINISHING OPTIONS WITH POSTAGE & PACKING INFORMATION

We can supply a wide-range of quality paper stock to suit your taste & budget and can offer advice on the best type of paper & finish to select for your giclée print. Prints are packed based on the type of paper you select to ensure you receive the best shipping value and protection for your print. See below for more information:

PermaJet Matt Plus | 240gsm

- Matte Finish | Plain Surface Texture | Good Value All-Round Resin-Based Paper | Bright White
- A good quality, matte paper suitable for all print types but recommended for illustrations & posters
- Available in A4, A3 and A3+ sizes
- Packing: A4 prints packed in a flat envelope with protective boards / A3 & A3+ prints rolled in protective cardboard art tube

PermaJet Oyster | 271gsm

- Satin Finish | Smooth Surface Texture | Good Value All-Round Resin-Based Paper | Bright White
- A good quality paper with a subtle pearl, lustre surface suitable for all print types but recommended for posters and photographic prints
- Available in A4, A3 and A3+ sizes
- Packing: A4 prints packed in a flat envelope with protective boards / A3 & A3+ prints rolled in protective cardboard art tube

Canon Pro Luster | 260gsm

- Semi-Gloss Finish | Dimpled Surface Texture | High-Quality Resin-Based Paper | Bright White
- High-quality paper with a dimpled, orange-peel texture designed to reduce glare. Suitable for all print types but recommended for photos & posters
- Available in A4 and A3 sizes
- Packing: A4 prints packed in a flat envelope with protective boards / A3 prints rolled in protective cardboard art tube

Hahnemühle Photo Rag® Matte | 310 gsm

- Matte Finish | Soft Cotton Texture | ISO 9706 Compliant | Fibre-Based | Museum & Gallery-Grade Archival Paper | Age-Resistant | Outstanding Print & Colour Quality | Warm White
- A gallery grade, paper with a soft cotton surface and an exquisite matte finish. Produces high-quality print results for all image types and recommended for fine art prints.
- Available in A4, A3, A3+ and A2 sizes
- Packing: Prints packed flat with strong protective boards

Hahnemühle Photo Rag® Pearl | 320 gsm

- Pearl-Gloss Finish | Soft Cotton Texture | ISO 9706 Compliant | Fibre-Based | Museum & Gallery-Grade Archival Paper | Age-Resistant | Outstanding Print & Colour Quality | Warm White
- A gallery grade, paper with a soft cotton surface and an exquisite matte finish. Produces high-quality print results for all image types and recommended for fine art prints
- Available in A2 size
- Packing: Prints packed flat with strong protective boards

Hahnemühle Photo Rag® Baryta | 315gsm

- High-Gloss Finish | Soft Cotton Texture | Fibre-Based | ISO 9706 Compliant | Museum & Gallery-Grade Archival Paper | Age-Resistant | Outstanding Print & Colour Quality | Warm White
- A gallery grade, cotton paper with a high-gloss finish which creates an elegant sheen, without glare. Produces stunning print results for all image types. Recommended for fine art, posters and black & white photo prints
- Available in A4, A3 and A3+ sizes
- Packing: Prints packed flat with strong protective boards

Hahnemühle Museum Etching | 350gsm

- Matte Finish | Soft Cotton Surface Texture | ISO 9706 Compliant | Museum & Gallery-Grade Archival Paper | Age-Resistant | Heavy Fibre-Base | Outstanding Print & Colour Quality | Warm White
- A gallery grade, heavyweight, cotton paper with a finely textured matte finish. Produces exceptional-quality print results for all image types but recommended for fine art prints
- Available in A4, A3 & A3+* sizes (A3+ Size has a deckle / torn edge finish - see below for more information)
- Packing: Prints packed flat with strong protective boards

Hahnemühle Museum Etching | 350gsm | Deckle Edge

- Matte Finish | Soft Cotton Surface Texture | ISO 9706 Compliant | Museum & Gallery Grade Archival Paper | Age-Resistant | Heavy Fibre-Based Paper | Outstanding Print & Colour Quality | - Warm White | With Rustic Torn Edge Finish Ideal for "Float-Framing"
- A gallery grade, heavyweight, cotton paper with a finely textured matte finish and hand-torn deckle edges. Produces exceptional-quality print results for all image types but recommended for float-framed fine art prints
- Available in A3+ size
- Packing: Prints packed flat with strong protective boards

FURTHER INFORMATION

This is a fine art digital reproduction of an image that has been copied or scanned in high resolution from an original source. Where required the image may have been digitally enhanced, restored or repaired. In some cases certain artefacts and age-related marks may have been left to preserve the vintage feel of the original print. The Giclée printing process provides better colour accuracy than other means of reproduction. Archival quality ensures that the prints are light-fast and non water soluble. All prints are made to order and will be professionally reproduced onto premium paper stock.

The print been scaled for the best fit within the sheet and set within a white margin to assist with framing and mounting. An approximation of the actual scale of the printed image and margin is shown in the listing photos for your reference.

All printed images are left to dry to ensure ink and image has fully cured with the paper stock prior to packing and posting.

TRANSIT DAMAGE & REFUNDS

If your print has been damaged in transit please take photos of the damaged print or packaging and message me so we can arrange your refund. Please note: Photos are required for us to make a damage claim with the shipping agent and will help me to resolve your refund as quickly as possible.

Many thanks for visiting,

Julia