有線七宝 Yusen Shippo Cloisonne Vase Floral 紅薔薇 Red Rose 薔薇 White Rose Blossoms Vaas Akasuke Red Ginbari Foil Jar Bird Jug Bamboo Urn Japan

Handpicked by GuamAntiquesNstuff
• Vintage from the 1930s
• Materials: SHIPPING MOST COUNTRIES, GUAHAN LOCAL PU ONLY, USPS PRIORITY MAIL

Beautifully hand painted ROSES Pattern VASE from Japan!

Fine example of Shippou Yaki featuring a classical pattern of Red & White Roses! Intricately built up enamel glazes filling in the silver wire outlines. The Rose Blossoms are done in graduations of pastel pink colors to primary color fuschia. The White Rose is tinged in both a light/light pastel mint-green and pastel pink, as in real-life white roses. The one immature bud also graduates in colors from green to mocha.

The Akasuke/Pigeon's Blood Foil... is embossed with 3 stalks of Bamboo in a 3D effect on back. As you turn the vase clockwise, near the top, there's an embossed plump Swallow in flight!

PIC 4 - STUNNING PAIR OF ROSES CLOISONNE ON BLUE GINBARI >

https://www.etsy.com/listing/493452984/mirror-pair-vases-yu-xian-q-bo-yusen

PIC 5 - BEAUTIFULLY LARGE ANDO ROSE GINBARI VASE >

https://www.etsy.com/listing/517584452/ando-large-yu-xian-q-bo-yusen-shippo

HANAKOTOBA 花言葉 - Ancient Japanese "Language of Flowers"
BENIBARA 紅薔薇 - Red Rose = Love/In Love
BARA 薔薇 - White Rose = Innocence/Silence/Devotion

SHIPPOU YAKI 七宝焼 - Cloisonne Ware

TOMEIYU SHIPPO 透明釉七宝 - Transparent Enamels

YUSEN SHIPPO 有線七宝 - Wired Cloisonne Technique (usually silver)

GINBARI 銀針 - Embossed Foil

CLOISONNE enamels are painted on and fired and the process done for several layers/firings to build up the enamels to fill in the silver wire spaces of the design until the item is smooth to the touch.

Searching for that PERFECT VASE? Please visit my shop with 200+ Antique Vases from Old Delft, Faience, Chinois to Japonais Fukagawa/Koransha >

https://www.etsy.com/shop/GuamAntiquesNstuff?section_id=17084253

Would make a perfect gift for MOM'S BIRTHDAY or an excellent affordable addition to your own collection!

* SHIPPING MOST COUNTRIES
* Guahan local PU only
- Please click on the tab above below the pics for SHIPPING & POLICIES
- Combine Shipping & SAVE!

PHOTOS - integral to description, please use zoom feature to view details.

MARK - n/a

SPECS - about 6.125"H x 3.25"D

CONDITION - EXCELLENT!
- tiny/minute scratches to the clear glaze here and there
- pitting to silver rim requires professional polish
- otherwise, no knocks/cracks

MY SUBJECTIVE GRADING GUIDE >

Outstanding - pristine, like new
Excellent - excellent as it's antique/vintage (minor issues)
Good - moderate issues
Fair - more than moderate issues, okay for display, but not a prized piece
Poor - major issues = a bargain deserving of continued existence

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🌺 HÅFA ADAI from the tropical island paradise of GUAHAN (Guam/USA) 🌺

"Although Chinese cloisonné enamels had long been highly valued it was not until the late sixteenth century that cloisonné enamels became more widely used in Japan.

Enamelling was employed primarily on architectural fittings, for example hikite (door-pulls) and kugi-kakushi (decorative nail covers) as well as for the decoration of small objects such as suiteki (water-droppers), part of writing sets and used in the preparation of ink.

There had long been a demand among the samurai for fine decoration of sword fittings and cloisonné enamels were used on tsuba (sword guards). The finest of these were made by the Hirata School, founded by Hirata Dōnin (died 1646) which was active well into the nineteenth century.

The renaissance of Japanese cloisonné manufacture is credited to the former samurai, Kaji Tsunekichi (1803 - 1883) of Nagoya in Owari Province (modern Aichi Prefecture). Kaji, like many other samurai of his time, was forced to find ways to supplement his meagre official stipend. It is believed that around 1838 he obtained a piece of Chinese cloisonné enamel and by taking it apart and examining how it was made, he eventually produced a small cloisonné enamelled dish.

By the mid-1850s he was sufficiently confident take on pupils and by the late 1850s was appointed official cloisonné maker to the daimyō (feudal chief) of Owari. He based his designs on the motifs and colour-schemes of Chinese cloisonné enamels and his early works are characterised by the use of a larger number of background wires. These were decorative, forming an integral part of the design, and practical in that they prevented the enamels from running during firing."

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I'm not an expert on Porcelain. The information above is based on my research as a collector. It's time to downsize and find an appreciative home for this exquisite piece!

Feel free to contact me if you have questions or need additional photos.