Agostino Veneziano : The Carcass / Lo Stregozzo (c. 1520) - Giclee Fine Art Print

"The Carcass / Lo Stregozzo," by Agostino Veneziano (c. 1520)

DIMENSIONS

• 9" x 12" (Image: 5" x 10.5")
• 12" x 16" (Image: 6.69" x 14")
• 16" x 20" (Image: 8.13" x 17")
• 20" x 30" (Image: 12.38" x 26")
• 24" x 36" (Image: 14.75" x 31")

Archival Inkjet on Fine Art Paper
Smooth Surface - Matte Finish - Inset Borders

ABOUT THE ARTWORK
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An Italian engraving of the 16th century, "The Carcass," or "Lo Stregozzo," depicts a cruel hag leading a diabolical procession atop a bizarre skeletal wagon, towed by nude human figures. In one hand she holds a vessel of flaming fire, evocative of lust; in the other, she seizes a frightened baby by the head—to crush, perhaps, or to consume.

In "Exorcising our Demons: Magic, Witchcraft and Visual Culture in Early Modern Europe," historian Charles Zika suggests that Veneziano may have been alluding to the "wild hunt" or "furious horde" of German folklore; a procession of ghostly or supernatural figures who ravaged the countryside, presaging war or plague. Those who chanced upon them might be punished, slain or compelled to join their procession, but those who remained indoors might placate the evil spirits by setting out offerings of food and drink.

Its central figure was traditionally identified with any number of divinities and legendary figures, including Freya, Wodan, Odin, Diana/Artemis, Proserpina/Hecate, and, of course, the Devil. In "The Carcass," however, she is more than likely a witch, cribbed from a contemporary engraving by Albrecht Dürer, "Witch Riding Backwards on a Goat."

"The wild ride of witches," writes Zika, "had become established as a fundamental feature in literary accounts of the witches' repertoire of evil by the early sixteenth century. And some early visual images of witchcraft...would also represent witchcraft as a line of women riding on animals." "The Carcass" thus exemplifies early modern Europe's dread of "the destructive powers of witchcraft...linking it to the powers associated with the dead and fears of female sexuality."

ART-CENTRIC DESIGN
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Vintage art is not standardized. The original works are usually too long, or too short, to neatly fill a store-bought frame. Most shops arbitrarily crop the artwork to match, leading to claustrophobic prints with missing or partial elements. These modifications — sometimes trivial, sometimes ludicrous — are not always shown in the product photos.

We believe that the purpose of art is not to fill a frame; it is the purpose of a frame to showcase the art.

Our prints have inset borders that make up any differences in proportion between the artwork and a standard frame, so that you can experience the art as the artist intended. They look sharp in beveled mats, may be float mounted, or inserted directly into standard frames; the borders providing a mat-like accent around the image. There are many styles from which to choose.

Framing is a fun, creative process that enhances the artwork and livens your space for years to come. Should you like any advice, feel free to reach out.

CUSTOMIZATION AND IMAGE REQUESTS
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We are happy to customize our prints to fit your frame. Borderless prints may require the artwork to be cropped to fit a new aspect ratio. In such cases, we will provide a mockup to ensure that the final product meets with your approval.

If you’re looking for an artwork that is not in our catalog, feel free to ask if we can provide it. We will print any public domain or openly licensed image that is available in high resolution.

MUSEUM QUALITY
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Giclée process prints are the gold standard in fine art reproduction. We use a matte finish, cotton fiber paper to maximize detail while eliminating glare. Our prints display a wide color gamut, deep blacks and beautiful tonal transitions. Produced using only archival materials, they will not fade or yellow, but maintain their original quality for as long as you own them.

HANDMADE DECLARATION
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To assure artistic quality, all of our production and design is strictly in-house. Every print has been proofed, calibrated and inspected for defects. We do not drop ship, resell or make use of third-party production partners.

SHIPPING AND PACKAGING
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All orders ship within one business day via USPS First Class, Priority Mail or Priority Mail Express. Sizes 9” x 12” and 12” x 16” ship in a flat configuration, unless combined with larger prints, which require tubes. We will replace any lost or damaged items at no expense to you.

HAPPINESS GUARANTEE
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We will promptly address any issues that may arise with your order. If you are unhappy with your print for any reason, you are welcome to return it for a full refund.